One Book, Three Covers

The publishing world is a complicated beast.

While researching books in International markets, I came across an interesting discovery: one book, three different covers. Why? A myriad of reasons, but I'm guessing it's a combination of marketing, rights and distribution.

While I can't recommend Cleaving, Julie Powell's follow up to her best seller Julie and Julia, I'm fascinated by their promotional efforts. (Reviews for the book have been lackluster; I abandoned Cleaving after the third chapter...)

But the covers are intriguing. Let's compare. From a marketing standpoint, I'm fairly certain that U.K. cover would never fly in America. (The pig trotter between her legs looks rather phallic, eh?)

Personally, I like the cover on the Canadian edition best. You?


American edition



Canadian edition / American edition (paperback)




U.K. edition

Diver Down: Fantasies, Demystified

The core of my family was reared on the banks of the Great Lakes—massive freshwater lakes that straddle Canada and the U.S. They settled into a comfortable routine: eat, sleep, work, and fish. While fishing was never a career choice, my father would happily spend his days out on the water. “A bad day fishing,” he used to say, “is better than any day at the office.”

Obsessions run in the family.

Though I spent most of my time land-locked in the Midwest, I’ve had a life-long fascination with the ocean. Contrary to family traditions, my interest has always been beneath the waterline. Summers spent on Lake Michigan, I’d stand on the deck and wonder, “What’s down there?”

Back in Peoria, ten minutes outside the city...we were sounded by cornfields. Scuba diving in the Prairieland? Yes. You can dive in abandoned strip mines, long forgotten and stocked with catfish. Did you know catfish, like koi, grow to the limits of their surroundings? Giant catfish and artificial reefs comprised of abandoned school busses? Not the diving of my fantasies.

A move to Seattle in 1995 opened new possibilities. Ocean diving was 20 minutes away, and I launched into diving with a passion. Here, water temperatures hover at 48 degrees year-round and protecting yourself from hypothermia, requires a tremendous amount of gear. Armed with a new credit card, I loaded up: $1,200 dry suit, $400 dive light (it’s dark down there!), tanks--$300 each, custom-designed mask with prescription lenses $500, and on it went.

I dove after work and nearly every weekend. Vacations were spent exploring Canada’s Inside Passsage—Jacques Cousteau’s #2 favorite place in the world to dive. Giant octopus, colorful squid, docile ratfish (part of the shark family) were spotted regularly.

Traveling in other countries, diving was always a major factor. Belize, Thailand, Mexico, Cuba, Canada. If there was water, I went diving.

But it was never quite the same.

The beautiful colors you see in documentaries? Those are achieved by massive lights, with filters that put the color spectrum back in. (Think of the color spectrum, the deeper you go, the more colors get lost. At a normal depth of 30 feet, even the most colorful creatures appear in tones of grey.)In the Northwest, overcast days and dark waters require artificial light—even for day dives. Here, vivid colors were a part of my normal dive experience. Transfixed, I could easily spend an entire dive watching an octopus change colors and textures. It was a major highlight of the dive.

In Thailand, I tried diving with supplemental lights. While the colors were lost due to depth, the water was so clear, the bright natural light made mine useless. Back on the boat, the dive master shrugged and said, “You’re a night diver.”

You want bold colors in the tropics? Night diving is the best approach. Voila! Problem solved.

Last week I watched IMAX's "Under the Sea" documentary. Transfixed by the lush colors and spell-binding cinematography, my tropical dive fantasies swelled into overdrive! Dumbfounded, I kept asking…how did they do that?



The director’s notes provide incredible insight:



Locations: North America, New Guinea, South Australia, Great Barrier Reef, and Indonesia




A minimum of 3 weeks diving at each location.




The team traveld with over 8,000 pounds of gear.



Camera + lights + underwater housing unit = 1,300 pounds (They use an above-board crane to raise and lower it into the water.)




For every shoot, there are 7 divers in the water. “We need all those people to move the camera.”





Off the tripod, the 1,300 pound camera is neutrally buoyant, but it’s unwieldy in current. “You don’t want to be between the camera and a rock.”





Shot with high-resolution film, the camera has a 3 minute run time. To load more film, the entire unit has to go back to the boat.



Why are my dive experiences different than documentaries? I get it now.

Little Things That Make Me Happy

Reminiscent of Oprah's gratitude journal, Melissa kicked off an interesting discussion, "What makes you happy?" I had been in a funk, but that simple nudge got me thinking.

What make me happy?

- My pink silicone spatula with the silver sparkles, affectionately dubbed "The Magic Wand." Years ago, I gave one to Dana. She's now at cooking at Alinea, but I like to think some of her magic is still with me.

- Sweets: Soul Food Desserts and Memories. One of my favorite cookbooks. Sweets captures the link between one family, and the indelible memories surrounding their family recipes. Peppered with old family photos and grandma's down home wisdom, this book is a gem. And yes, Aint Tee's Luscious Lemon Ice Cream makes me very happy!

- Podcasts. These days I'm cooking more at home, and my laptop follows me in the kitchen. While I chop, whip, and sautee, I catch up on my favorite podcasts. In an effort to stretch my listening time, more than once...I found myself deep cleaning the kitchen! My regular rotation includes: Splendid Table, Cutting the Curd, BBC's World Book Club, Saltcast: The Backstory of Documentary Radio, Fresh Air, TimesTalks and KCRW's Good Food.

- The heady aroma of Market Spice Tea. With orange, cinnamon, clove and a kiss of sweetness, armed with a cup of Market Spice Tea, I almost look forward to our drizzly northwest winters.

- Dishtowels from Anthropologie. Colorful, with a touch of whimsy, these towels make my very happy. Granted, at $24 retail, they're budget busters, but troll the sale tables. Every now and then, I get lucky.

- Letters. Real letters. Stamps and all. I started collecting old school post cards and sending one to my parents every week. The hunt for great post cards--and the history lesson that inevitably follows--is an added bonus. Worlds Fair, advertising for "modern travel by air," and WWII memorabilia are my current favorites.

- Coffee from my Italian stovetop espresso maker. I used one years ago, and I'm not sure why I ever gave it up. Over the holidays, I picked up a Bialetti Moka maker. Ahhh...at long last, coffee is a deeply satisfying experience at home! (Word of warning: God love the Italians, they don't mess with a good thing. It's the same 1933 design, but know this: if you want to maintain the shiny silver finish, handwash yours. Mine took a trip through the dishwasher and it's now ugly as hell. It still makes great coffee, but the luster is gone.)

- Cheers to eureka moments in the kitchen! 1. The secret to moist and flavorful bran muffins? Raisin puree. 2. Bacon? Move over. In soups and stews, smoked ham hocks deliver that lusty flavor I crave. (Who knew?) 3. Four words: Momofuku's roasted brussels spouts. I swear, I'll never be the same again! With a bit of rice and grilled steak tips, I ate them every day for a week. (Recipe here.)

- Love notes, in the form of recipes. My beau and I have been doing the long distance thing for far longer than either of us expected. Phone calls and frequent visits help, but every now and then, he shoots me a recipe. And they come, unannounced, in the middle of his letters: Torta di Pesche with crushed Amareti, Risotto Con Salsiccia, or Salsiccia e Pepperoni Al Tegame -- "a nice side dish for your event." I can't quite explain it, but there's something surprisingly intimate about his recipes.

- Thrift store treasures. Frown on thrift stores if you must, but over the past month, I've picked up a cast iron braising pot, a new lamp and chair for my desk, and the stovetop espresso maker...all for less than $5. I also snagged an original watercolor and an original oil painting, $10 each. Bargains always makes me happy!

And you? What makes you happy?

Feasting at the Bing National Tailgate Championships

After living here for 15 years, a few quintessential Seattle experiences are missing from my repertoire. I've never been on the Underground Tour; sadly, I've never taken the Clipper to Victoria, B.C.; and despite a major remodel and a noteworthy chef, I've never dined at the Space Needle restaurant.

Rounding out the list of things I haven't done...I've never been to a Seahawks football game. Technically, I still haven't. But last month, I got a taste of the pre-game festivities and I now I know...I've been missing out!

Just before Christmas, I was invited to the Bing National Tailgate Championship tour. Regional tailgate teams compete for an opportunity to attend the national championships, held in Dallas/Ft. Worth in February. Joe Cahn, the Commissioner of Tailgating, led the festivities and rallied a team of judges including local chef Ethan Stowell (Tavolata, How to Cook a Wolf, Anchovy & Olive, and Staple & Fancy) and celebrity judges, former Seahawks defensive end Jacob Green, and rapper Sir Mix-A-Lot.



When the invite came in, I thought, "Tailgating in Seattle? Am I missing something?" I had no idea tailgating was a significant part of our culture. And I learned later, it's not. But based on this event, you'd never know. Pregame festivities were a sight to behold!




Which way to the Tailgate Championships? Quick! Follow these guys.


Hey, good lookin'! Where's the party?


This is our destination: Qwest Field. Notice our rare day of sunshine? It's also worth noting...in a town that averages 155 days of winter rain, the football stadium has an open roof, while the baseball stadium's roof is retractable, weather pending.


By 11 AM, this guy was working up a sweat. What's the deal?




His 11 hour ride is dedicated to military families. (7 hours to go.)


A highlight of the pre-game festivities? The Blue Thunder marching band.


Blue Thunder drum corps


Here's looking at you!


Ah...the fans. Love this guy!


I found the tailgate festivities, and managed to squeeze into the press corps. See the camera guys?


Joe Cahn, the Commissioner of Tailgating, "What 'cha cooking today?" Several teams went all out, "We caught or shot everything we're eating today."



(L-R) Former Seahawks defensive end, Jacob Green and Chef Ethan Stowell.


Smoked salmon platter. Nice touch with the football helmets, eh?


What 'cha got there???



Burgers, fries and yes...jello shooters!



Hey sailor!


Jocob, weighing in on the competition.


Pork and salmon burgers, with a tall & frosty beer.


Go 'Hawks!





Racing to the judges' table.



Smoked salmon with capers and dill.


The Seahawks cheerleaders stop by for a visit.


Good times, people. Good times!


Brent, The Luge Master


"Wanna shot?" Take a block of ice, and carve trails into it. Pour a shot at the top...and as it travels down the luge, it chills. Genius, no?


Yeah, it's like that.


My turn!


I made it on the Pour House RV. Special delivery: baby back ribs.



Kissed with smoke and hot off the grill. "You want some?"


Christmas tree, decked out in Seahawks gear. Love this ornament.



Got tickets?


End of the line for me. I wished the Pour House team good luck, and headed for home. (The winners were announced at half time.)



And the Bing National Tailgate Championship regional winners? Congrats to Hawk One!

Moment of triumph here:

Return of the Swizzle Stick


I stumbled on a box of swizzle sticks in an antique store, and couldn't resist. I bought the whole case! One part whimsy, one part advertising, swizzle sticks are an important piece of culinary history.

For the uninitiated, swizzle sticks are the ultimate travel souvenir. Riffling through my box, there are swizzle sticks from Maine to Hawaii. According to this LA Times article, the hit TV show Mad Men is sparking a return of these pop icons. Cheers to that!

And now, for a bit of swizzle stick history:

It was a practical invention, born out of necessity. How do you fish an olive out of your glass, without sticking your fingers in? Enter...the swizzle stick!

In 1934, Jay Sindler designed a spear to wrangle the olive, and added a paddle at top for advertising. You see, "after the repeal of prohibition, drinking establishments wanted their names and addresses out in public. Swizzle sticks conveyed the information and were cheaper than a book of printed matches and cheaper still than the vanishing ashtrays that also boasted printed logos. Sindler was granted his patent on Feb. 19, 1935."

Genius, no?

Seventy-five years later, Sindler's company, Spir-it Inc., is still in business. I'm a fan of their custom molded designs and would kill for this Chinese dragon swizzle stick (apparently it's discontinued):



Social Media for Restaurants and Chefs -- Are you missing out?



Donning my PR and marketing hat, I must admit, I'm a huge fan of social media. Twitter, Facebook, You Tube, and Blogs. They're inexpensive tools that if utilized well, can explode your business.

The problem? Few restaurants take advantage of social media.

According to Jeffrey Kingman, CEO of Chalkboarder.com, out of 1 million restaurants, fewer than 10% utilize Facebook; less than 6% use Twitter; and a mere 2% of restaurants maintain blogs. To me, this signals a tremendous lost opportunity.

Jeffrey is a former chef, who has become a leader in the social media arena. His company manages accounts for large- to medium-sized restaurant chains and large-scale events, including Coffee Fest and the Northwest Foodservice Show.

I asked Jeffrey to share his thoughts on the restaurants and the use of social media. He agreed, and thanks to Facebook's chat feature, this the conversation that transpired:


Why should restaurants care about social media? And what are the advantages to implementing a social media program?

It's a fundamental shift in communication. We've adopted communication tools that allow us to do so much more "on the go" than we could just two years ago.

Yet, the communication methods offered by most restaurants are circa 2005. They have flat, static websites that never change. Customers call to make a reservation, but they have to leave it on the restaurant voicemail. In the smartphone/social media era, these outmoded methods create unnecessary obstacles for customers.


Playing devil's advocate re: social media..."So what? What does that mean to my business?"

Today's consumer, with all these tools, demand much more ease in communicating with businesses.

What does that mean to your business, if you don't take advantage of these tools? You'll loose customers and business volume.

Savvy restaurateurs are taking advantage of today's communication tools, and customers are responding to those businesses that offer ease of entry.

The fastest growing segment of social media and smartphone (mobile tech) adoption is aged 40-65. That's the discretionary income population.



What key things are customers looking for in social media interactions?

1. A much easier time communicating with restaurants, on the customer's schedule--not the restaurant's schedule.

2. Peer reviews -- not reviews by random people on Yelp, but rather, what their friends are saying about restaurants.

3. The backstory for restaurants -- what is unique about the restaurant? Why should I go there?

4. A desire to become part of a community, both online and in store.



Many restaurants are hesitant to embrace social media. What's that mean to their bottom line?

I think a lot of restaurants are missing the mark by "couponing" offered by Groupon, etc. Most customers aren't shopping on price -- they're shopping for experience and community.

What's the bottom line for a restaurant's telephone?

When phones, then fax machines, then computers came out -- we saw the same trepidation by the restaurant industry...what does this new technology mean to my bottom line?

Social media is a communication tool. Yes, it takes time - time to gather the knowledge on how to do it right and time to actually do it. But if the vast majority of your customers can be reached via mobile devices through social media, why wouldn't a restaurant take advantage of that?

Let's face it...do restaurant customers hear about offerings through newspapers anymore?

Do they hear about restaurants through radio or TV?

A website doesn't move; it sits there.

An e-mail address doesn't move; it sits there.

But if a restaurant is producing great content, great stories, and fun video content and sharing that -- now they're dynamically producing messages that can "swim" on their own.

Building the community online not only depends on producing good messaging -- you also have to reach out in-store -- make it easy for your existing and in-store customers to know that you are on Facebook, Twitter, and You Tube.



How do you reach out in-store?

Several ways -- for starters, you could put the Facebook logo on your guest check print out and in the corner of the menu.

If you're a casual spot -- put up table tents.

The Herbfarm (the only five star restaurant north of San Francisco and west of Chicago) just experimented with QR codes on their menu. Customers were able to snap a picture of the code on their smartphone and get the entire backstory of the entree: where the ingredients came from, preparation methods, etc.

It's all about being creative.



What are QR codes?

Quick Reads

A QR Code is a matrix barcode (or two-dimensional code), readable by QR scanners, mobile phones with a camera, and smartphones. The code consists of black modules arranged in a square pattern on a white background. The information encoded can be text, URL, or other data.



Besides the Herbfarm, what other restaurants are utilizing social media well?

Multi-unit, look at Genghis Grill...they're integrating a full matrix of digital/social media into a year-long campaign culminating at South by Southwest.



Tell me more about the Genghis Grill social media campaign.

Genghis Grill is a muti-state, multi-unit operation, located mostly in the Midwest and East Coast.

They're conducting a music band competition (like rock bands), with competitions in 10 metro areas.

The community gets to nominate the bands they want to see compete.

Then there is a band-off.

The ultimate finals are held at the Genghis Grill in Austin, Texas during South by Southwest. Voting happens all the way through social media.

If you want a better description, I'd suggests you e-mail or Tweet Paul Barron -- he structured the strategy for Genghis Grill.



Okay, so that's what a large-scale restaurant operation can do with social media. Who's doing well from an independent restaurant perspective?

Back in the Northwest, Gabriel is doing a great job for Le Pigeon [via Facebook]. He's personal online. He's active, messaging frequently.

All the profile information is updated to include images.

He tells personal anecdotes from his adventures as a chef/restaurateur, while sprinkling in marketing messages of menu changes.

Most importantly -- it's obvious he's having fun.



What other restaurants/chefs are utilizing social media successfully?

Rick Bayless [Frontera Grill and Topolobampo in Chicago] and Ron Zimmerman at the Herbfarm are heavy users of Twitter -- with huge followings.



Rick Bayless and Ron Zimmerman are prolific users of Twitter. While I love their content, I don't want to scare new users by thinking they need to Tweet that much! Who else?

On Facebook, I see a lot of descent messaging by Susan Feniger, David Ford, Floyd Cardoz, and Thomas Keller.



Thomas Keller's on Twitter too. He uses his camera a lot, which I love. How important is imaging in social media?

Harvard put out a study that found messages with images were opened 80% more than messages with no image.



I love it when restaurants show behind the scene images during prep or talk about producers who just dropped off foraged mushrooms, for example.

I'm a food geek [and former chef]. Images of production, and in detail close ups capture me more than a finished plate on a counter.



Can you talk about the importance of engagement?

If I can describe a mentor...I think it will illustrate this answer.

Riccardo Spaccarelli, thirty-year proprietor of a good Northern Italian restaurant in Lake Oswego, OR, builds his village every night.

At 6 PM, he puts two wine glasses and a bottle of wine in his left arm. Then he walks the dining room for the next three hours.

He visits with every customer that comes in, every night.

Those he doesn't know, he gets to know. "Hows your boy at school?" kind of thing.

Social media is the ability to visit your customers "tableside" online.

A restaurateur could visit "tableside" after the dining room has closed, if they're too busy during the shift. Grab a glass of wine, get your pj's on, and talk with your customers for an hour.



For me, two benchmarks for social media are: Humphrey Slocombe in San Francisco and Tidbit Bistro in Seattle. On Twitter, I had people from Germany and New York recommending Tidbit Bistro. "You're from Seattle? Do you know about Tidbit Bistro?" This tiny bistro has 17,000 followers! No Food Network profiles, no national media to speak of. They built a large, loyal following organically through social media.

I haven't followed either of those!



Humphrey Slocombe is a star on Twitter. The person maintaining their account is hilarious!

You know, if the owner or the chef is not an extrovert -- the person doing their social media needs to be. Maybe not in person, but definitely online.



When I was in San Francisco last year, I made a point of visiting Humphrey Slocombe just because of their Twitter account. They have over 300,000 followers! And this is an ice cream shop. I was there on a fall day between 3 - 4 PM and they had a steady flow of customers the entire time.

Damn.



Okay, before I cut you loose, can we talk about what NOT to do on social media?

1. Never disrespect a customer.

2. Minimize bad situations in person or on the phone.

3. Be transparent. If you screw up, don't erase it. Just apologize, correct, and move on.

4. Stay away from "Tonight $1 hot wings" advertising. (Social media is social--it's not the place for old-school advertising.)

5. When someone tags you in a message -- always get back to them with a thank you for doing business.



Who should manage your social media?

If the restaurateur or the Chef has the energy or time (and is extroverted), they should.

If they are too big or too busy, they should delegate -- and not to a 21 year old.

The delegation should go to someone savvy and with great communication skills, who can deal with delicate situations in addition to promoting non-delicate positives.

If a restaurant doesn't feel they have someone on staff for that, a good social media pro can be a great value.

Finding a pro isn't difficult -- just inquire of the local Social Media Club.



Outsourcing social media can be a huge advantage, and extremely valuable. What's the going rate for hiring a social media pro?

It depends on the project -- but here's a good comparison...what would you pay a sous chef or an assistant manager for their hourly time?

You're paying someone to be the public face of your business.

A good sous chef is always learning new skills, techniques, etc. The person handling your social media should be doing the same.

A good social media pro is always staying up on the latest mobile technology and social media theory.



If a restaurant outsourced their social media, ideally, how many hours/week would you expect them to work?

It depends on the project. An independent restaurant, moderately ambitious in social/mobile marketing, that does $1-2 million a year should expect to put in an hour a day.

***

Want to get in touch with Jeffrey? Find him here:

Twitter: @JeffreyJKingman
Facebook: www.facebook.com/jkingman
Linked In: www.linkedin.com/in/jeffreykingman

A Peek Behind the Michelin Guides



ABC ran an interesting piece on the famed Michelin Guides. (See the clip above.)


Here are a few noteworthy highlights:

- "The Michelin rating began in France in 1900 as a marketing gimmick to sell tires. The Michelin brothers thought their customers would burn more rubber if given a list of hotels and restaurants to explore."

- The guide is based on a maximum 3 star rating. 2 stars: worth a detour; 3 stars: worth a special journey

- Michelin Guides cover 23 countries.

- Out of 45,000 restaurants profiled, only 100 restaurants hold the coveted three stars. As of this writing, 9 of them are in the United States.

- Tokyo has more 3 star restaurants than Paris. Why? Michelin Guide director Jean Luc Naret says it comes down to numbers. There are 15,000 restaurants in Paris. Tokyo, on the other hand, boasts more than 160,000 restaurants.

- What's the background of a typical Michelin Guide inspector? It's no surprise. "Most of them have gone to culinary school or perhaps hospitality school," Naret explained. "All of them have worked in a restaurant as professional chef or in a hotel in food and beverage and, most importantly, all of them are passionate, almost obsessive foodies."

- The Michelin Guide inspector profiled anonymously in this piece eats out an average of 9 times a week, usually alone. "It gives us the ability to really focus on the food and the ambiance and capture the entire experience."

- No notes are taken at the table. After a meal, this inspector takes 2 to 3 hours, writing an extensive report from memory.

- Do inspectors taste food differently than most of us? "We have taste memories because we've eaten thousands of the same thing over and over and over again," she said. "[It] gives you a bit of a measurement to know if this is a good or less good version of something."

- "We're looking for the best in show."

- Naret explains, "There's no different type of cuisine. There's only two types -- the good one and the bad one. We only recommend the good one."



According to the Michelin Guide website, the inspection method involves seven key components. Let's take a look at two:

At the restaurant

"When dining in a restaurant, we try to be as discreet as possible. We dress appropriately and order a complete meal, being sure to observe those items that may be specialties of the chef or cuisine. Many senses come into play during a great meal, and with trained eyes we can evaluate a number of aspects about the cuisine. Does the food’s plating stimulate the palate and is the portion size appropriate? Do the aromas of the dish please and entice, or overwhelm and repulse? Even sound comes into play with a delightful crunch of an item. Whose curiosity isn’t piqued when a sizzling plate is presented to a nearby table? We like flavors to be pronounced or subtle, depending on the circumstance. And there is also the question of value: is our level of enjoyment relative to the price of our meal?"

Star consideration

"People often ask what the qualifications are for a restaurant to be awarded a star. Establishments under “star consideration” serve cuisine that is prepared from excellent quality ingredients, display impressive technical skill, and present a balanced menu of clear flavors with a distinct personality; and it is imperative that they do so consistently. In addition to the menu and cuisine, we also scrutinize the beverage program asking ourselves if the wine, cocktail, and/or sake selection enhances the experience and moreover offers something special."

Battle of the Bookshelves...and Inspired Solutions

It's a classic battle of two selves. Good vs. evil. Or...in my case, Vagabond Minimalist vs. Unabashed Book Whore.

Beyond the bookshelf, my collection occupies nearly every conceivable space--beside the bed, underneath the bed, back of the toilet, piled like modern art in the living room...you get the idea. In fact, at one point, I had so many books in my car, you'd swear I was running a bookmobile!

The other day, I overheard my five year old neighbor ask, "Why does she have so many books in her car?"

Her fast thinking mom said, "Just like you...she loves to read." Bless her!

In an attempt to regain some control, I ruthlessly culled my collection--four times! Each book endured a mini-audition. "Why should I keep you?" and probing even deeper, I asked, "Fess up. What are your redeeming qualities? You know, a nice cover will only get you so far....."

Gone are the cookbooks I'll [really, and truly] never use.

And I made peace with the one-hit-wonders. Like musicians, the literary landscape is littered with one-hit-wonders. Cookbooks are no exception. Is it worth hanging on to a book for one killer recipe? Nope. I typed up my favorite recipe and tossed the rest.

In my mind, I was ruthless.

And yet, when I was finished, hundreds of books remained. What to do?

GET ORGANIZED.


Let's look at some options:


(Upper left) Bookshelves as stairs?


Skip the over-the-door dormer. How 'bout a bookshelf?


This dining room does double duty as a library.



While this is the more realistic solution, the minimalist in me sees nothing but a wall of clutter. What to do?


Here, a floor-to-ceiling curtain conceals bookshelves, and provides a solid punch of color.


Bright white shelves and plenty of open space minimizes the "clutter" feel.


A neutral color palate also helps minimize the "clutter" effect. But really? Who has books in just white, beige and black? Designer fantasy.

Here, the bookshelf serves as the room's focal point and provides the only visible color/object of interest.



In the end, I went for a riff on this idea: organized by color. Here, the bookshelf lends a strong visual appeal. Notice a sense of order is created, without the need for white space?



Another example of bookshelves organized by color.



A smaller book collection, again, organized by color.




And while I was surfing for images, here are a few more noteworthy options:

{Fantasy shot} My desk: flanked by floor-to-ceiling books, overlooking a quaint arrondissement in Paris. Or...


Imagine casting your gaze out on this charming sokak in old Istanbul. Ahh.....



And as long as we're exploring fantasies, take a look at this pantry! Oooh la la!